This image is part of my research-based performance project Beyond Borders: Iranian Women's Performance as a Contemporary Revolution. The project approaches performance as a form of political action and meaning-making. In this work, the body is not just something to be represented but the main tool of research itself. The yellow caution tape and threads that bind the body point to systems of control, surveillance, and restriction imposed on women's bodies, especially within contexts of migration and political life. The image draws on Yana Meerzon's concept of "precarious bodies," bodies that exist in a fragile space between empathy and spectacle. In this performance, vulnerability is not presented as weakness but as a political force. By placing the body visibly under constraint, the work exposes structural violence and challenges dominant narratives around belonging, citizenship, and value. My research understands performance as a form of lived dramaturgy, where the body performs citizenship before it is recognized by documents or law. This image is not simply a documentation of an event. It is part of my research method, showing how physical presence, limitation, and resistance can generate critical knowledge at the intersection of feminist art, performance studies, and the politics of the body.