My research in visual arts and relational aesthetics is concerned with the creation of ambiguous and affective objects. Designed to delay certainty by expanding the period of time between seeing and knowing, these objects reject definitiveness while elongating our attention, attunement, and ambivalence. The experiences of noticing, wondering, questioning, and imagining are crucial antidotes to fixed categorizations, premature conclusions, and binary thinking. If we can suspend our judgment about what we are seeing, then we can increase our capacity for patience, empathy, multiplicity, and abundance. This sculptural object was created from a thermoplastic cast of stones made with the School of Art and Design's vacuum former. The hollow cast became a vessel for cultivating grass seeds in soilless mix, before inverting the object and setting the stones back into their casting positions. There is a curious phenomenon at play in the finished object, where the affective impact is more than the sum of its parts, revealing an unexpected yet pleasurable ambiguity.